INVISIBLE CHOREOGRAPHERS
INVISIBLE CHOREOGRAPHERS
A reflection on desired, real and imaginary spaces.
From 2 to 4 June 2017 | Season 2016-2017.
Vídeo de “Los Coreógrafos invisibles”
A PRODUCTION OF:
Teatre Tantarantana and ATIC (Associació Teatral d’Innovació i Complicitat).
WITH THE SUPPORT OF:
L’Ajuntament de Barcelona i Generalitat de Catalunya – OSIC, Foment de Ciutat Vella i l’Institut Municipal d’Educació de Barcelona – IMEB.
ARTISTIC PORTFOLIO:
CONCEPT
CONSTANZA BRNČIĆ
ALBERT TOLA
DIRECTION, CHOREOGRAPHY AND STAGING
CONSTANZA BRNČIĆ
DRAMATURGY AND TEXTS (BASED ON THE WRITINGS OF THE PARTICIPANTS)
ALBERT TOLA
LIGHTING DESIGN
JORDI PUIG
CONSTANZA BRNČIĆ
INTERPRETATION AND CO-CREATION – STUDENTS AT THE CONSELL DE CENT SCHOOLS
JUAN FCO. ESCALONA (PEDAGOGICAL AND ARTISTIC COLLABORATION)
STUDENTS: ARIADNA ANTONIO, DAVID JOSE ABELLANEDA, MARTI CASTILLO, AARON GARCÍA, NIMRA ZUBAIR, ALEX HUSSAIN, JEREMY FERNÁNDO, ACSA ANDREA RAMIREZ, MARC BRUGUERA, MARWA EL BAJI, MÓNICA MIA ESONO, SAID KHARMICH, ANDRIAN PAUL, MACAPAGAL, JANOY MEDINA, MIGUEL DENNIS, TIANGCO PAGALILAUAN, XIN WANG, MARIA JOSÉ CORREA, JUSTIN SABRINA FREIRE, VICTORIA CAROLI, ROSBER PEREZ CUBA.
INTERPRETATION AND CO-CREATION- ALUMNES IES MILÀ I FONTANALS
AMPARO GONZÁLEZ (PEDAGOGICAL AND ARTISTIC COLLABORATION)
STUDENTS: EUGELYN MAGNO, ALA UDDM, CHRIS NIOKO, MADISHA, ARIBA AKHTAR, KARIMA AKTER, ROMAN CAMPOS, ANA BEATRIZ PEREIRA, KYLE ROBLES, OLIVER JURADO, MELANIA LIBUSTES, EDWIN LIBUSTES, KURT ROBLES, JASMINE KARMICH, SAMIA KHALID, RUMA BEGUM
JAYR MARTÍNEZ.
INTERPRETATION AND CO-CREATION- GENT GRAN
PAQUITA MENARGUEZ, JULIO ÁLVAREZ, GERÓNIMO PEREIRA, ADELAILA SANTIRÓ, JULIETTA ORTÍZ, FRANCISCA CARRERO, AVELINA TEIXEIRA, THERESE SKRZYPCZAK, JOSEFINA RUÍZ.
SINOPSIS: THE INVISIBLE CHOREOGRAPHERS, suggests, through dance, words and music, a reflection on the desired, real and imaginary spaces. The spaces that we remember, that we need, that we build, that we abolish, that we idealize, are spaces of encounter with others, the others who move us or have moved us at some point, the others, sometimes absent, who silently choreograph our existence through the capacity to affect that is common to us all. In this piece we approach what is real through images. But every image that touches what is real, as Didi-Huberman says, provokes a fire: "We cannot speak of the contact between the image and what is real without speaking of a kind of fire. Therefore, it is impossible to talk about images without talking about fires. Images are part of what poor mortals invent in order to record their tremors (of desire or of pore) and their own consumption".
